Slow Boat pulls out every last sound in the organic world and puts it into a context of sheer beauty and conceptual interest simultaneously. It is masterfully original and well thought out with superb musicianship and puts hope into the polarized world of conceptual vs. analytic.

This is a limited pressing of 300. Featuring Eli Keszler on percussion.

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La Big Vic is a phenomenal band from Brooklyn. I know its backwards, but we are releasing a cassette of their full length, Actually, which is already out on LP from Underwater peoples.

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Seth Graham (Henry Dawson) & Keith Rankin (Giant Claw) bringing some improv synth randomness. This is a sprawling hour-long debut.

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A seminal recording of sound collage and experimental synthesizer sounds from one of the brightest musicians in underground America.

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So “Amplifier” begins urgently, a massive engine sound crowding out the slasher-film carryover from the previous track: two of the more electrifying features of the album. It closes with a brief space odyssey, promising only further permutations at other stops along the way. “Milk” finishes the album with two minutes of random buzzing along the chromatic scale, applying a galactic tautness to what is already an angst-fueled release. In the final few minutes the production tapers gently to silence, and you know you have been somewhere: a cavern of sound, ill-lit at times, with some inner chambers, each poorly divided from the other.

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Russia’s Piper Spray gives us bizarre electronic cosmic pop. This is experimental stuff when it works on an established and trodden musical realm and subverts from within.

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A new piece of dark guitar and synthesizer moans and sequences from modern masters Sundrips. Ryan and Nick at their most rich and deep and heavy!

Second pressing.

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"Giant Claw makes music that sounds like the soundtrack to a dystopian children’s book published in 1981."

This album is a real wonderland of synthesized sound. A beautiful and creepy homage to early electronic music.

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This one blew us away with its reverb drenched arpeggios and bizarre sci-fi vibe. I couldn’t help imagining it as the soundtrack to some slow paced 70s space opera cartoon. There’s a real darkness and unease here too, though.

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Henry Dawson (Seth Graham). Somewhere between noise and melody.

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Limited edition lathe cut 10 inch vinyl. Cover made with decoupage and electric tape. Comes with transparency insert and black recycled pvc bag.
Andrew Weathers brings a subtle droan, something that comes in and out orchestration and randomness. Henry Dawson brings drum machine glitch and many layers of harmony.

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Our first release is Hoefizer (David Mitchell) from Montreal. 3 tracks of bass loops and drone. Quilt is Seth Graham from Brooklyn. 4 Tracks of relentless oscillation, filters, sounds, random notes and over all feeling of schizophrenia. This split plays like a full record when listened to all the way through.

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